TONEAudio is in the process of making our complete back catalog of equipment reviews available for those of you wanting to just find a specific review without having to download the full issue that they first appeared. This will be an ongoing project for the next few months, so please stop back if you don’t see what you want immediately.
Bouncing between St. Vincent’s current and last album, I can’t help but be in awe of the staying power of the vinyl record. Thanks to the many manufacturers, like Simaudio, who have not only kept the faith, but continue to innovate and refine their designs, spinning records is better than ever in the year 2014 than it ever was. Read More
PrimaLuna and I go way back; back before TONEAudio was even a twinkle in my eye back. The first audio review I wrote for The Absolute Sound happened to be the original EL-34 based ProLogue 1, and was way more exciting than the boring NAD integrated amplifier that Robert Harley was going to have me cover for my first assignment. Read More
British hi-fi buffs know Roksan Audio as a company that offers extraordinary value and sonics that challenge far pricier competitors. The company, located just northwest of London, takes a complete-system approach, with analog and digital sources, amplification, speakers, cables, and power supplies among its product lineup—and it is currently making a push into the North American market. Read More
One of the signs of a mature audiophile is whether they have a true garage system—not the wife’s old Lloyd’s faux-wood tuner/record player/cassette, but an actual receiver, disc player and speakers. Read More
The shock of thunderous bass waves is what the GoldenEar Triton Seven speakers greet me with to start a surprising review experience. Put away your preconceived notions of what slim, budget mini-towers should sound like—these are the first such speakers that don’t prompt me to add a subwoofer, even just to see if any bass response is missing. Read More
The Black Keys’ new record Turn Blue reminds me of some of the finest psychedelic tunes from the 1960s. The opening track “Weight of Love” has a very Clapton/Cream vibe. There’s something about British speakers and classic rock; they just feel right. Read More