Audio Research SP-3 preamplifier
Back in the mid 1970s, the idea that a preamplifier could provide “straight wire with gain” was an elusive goal. The idea that such perfection could be achieved from a valve model seemed even more unlikely.
Naim NAIT 3R
My love for British hi-fi can be traced directly to a Naim NAIT 2 that I purchased back in 1992. This little integrated amplifier, rated at between 15 and 21 watts per channel, taught me that power ratings were relative, and that a modest amp could sound more musical than the big 100wpc Japanese amplifier that it replaced.
Adcom GFP-555 Preamplifier
A majority of the audio world had a facelift in the early 1980s. The silver-faced receivers from the Japanese majors were replaced with separates here and abroad with a more modern look that could have been at home on the space shuttle.
SAE 2200 Amplifier
When I worked across the aisle in the local mall during my college years, I dreamed of owning a whole stack of SAE audio gear. Much like Wayne in Wayne’s World, I used to pester the hell out of the “audio consultants” at TEAM Electronics to let me hear the full blown SAE system, chock full of giant VU meters, rows of LED indicators and nixie tube displays.
Audio Research SP-9 Preamplifier
As the long time owner of a used HiFi shop, it’s rare that someone stumps the band, so to speak, but about 12 years ago, a young fellow walked into my shop with a tube preamp and power amp manufactured by Electronic Industries.
Mark Levinson No.23 Amplifier
Getting my hands on a Mark Levinson 23 was definitely a pleasant stroll down memory lane. The last Levinson amp to grace my listening room was the 50-watt-per-channel ML-11, and it sucked.
Spica TC-50 Loudspeakers
When I first heard the Spica TC-50’s in 1985, they had already been on the market for some time. I was impressed but I ignored them because I was a panel guy.
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