Issue 42

Out of Tune With You
By Todd Martens

Budget Gear: CEntrance DACmini CX
By Jerold O’Brien

Journeyman Audiophile: Polk LSiM707 Speakers
By Jeff Dorgay

Box Set Review: The 2011 Collections
By Bob Gendron

Old School: Klyne SK-5A Preamplifier
By Jerold O’Brien

Tone Style

Wino: The Wines of Autumn
By Wayne Garcia

The Range Rover Evoque with Meridian Audio System

Angry Birds T-Shirts

Kindle Fire: A Game Changer

StarWars Stormtrooper DJ Headphones



Live Music: Girls, Dum Dum Girls, Deadmau5, Fleet Foxes and Shelby Lynne

Current Releases:
Fresh Releases in the Pop/Rock World
By the TONE Staff

Audiophile Pressings
The Smiths, Rush, Rory Gallagher, and Journey
By Jeff Dorgay and Paul Rigby

Jazz and Blues
New releases from Keith Jarrett, Marcus Strickland and Nils Petter
By Jim Macnie


Darth Insidious: The IsoTek Super Titan Power Conditioner
By Paul Rigby

Variation on a Theme: The Verity Amadis Speakers
By Jeff Dorgay

Let It Be: The Pass Labs XP-20 Preamplifier
By Steve Guttenberg

TONEAudio’s Product of the Year Awards

TONEAudio’s Publisher’s Choice Awards

Sooloos Comes to the iPad!

Meridian has just announced that the functionality of their industry leading Sooloos Music Server will soon be available on the iPad. There have been a series of announcements on the web that “something new is coming January 10…”

Now with the ability to have access to your music collection without being tethered to a fixed screen puts the Sooloos system miles ahead of its competitors. They have always had the most user friendly GUI (graphic user interface) with access to metadata, allowing multiple levels of search and sort. The music lovers music server has just gotten better…

Stay tuned for more details.

Rega’s New Apollo-R CD Player Arrives…

For those wondering if Regas new Brio-R integrated amplifier would have a matching CD player to compliment it’s small size, the answer is yes – and it’s on the way to us for review right now. Available in black or silver to match the Brio-R, the Apollo-R will have a pricetag of $1,095. Featuring the latest Wolfson DAC chipset and a number of improvements over the previous generation, this should prove to be a very interesting player to put through its paces.

You can read more technical information here, on the Rega site.

Stay tuned…

Sonus Faber Aida World Premier!

The New York audio press was treated to the world premiere of Sonus Faber’s latest triumph, the Aida, on Tuesday night (an open-to-audiophiles affair was on Wednesday night). When I arrived for the auspicious event at Stereo Exchange’s NYC showrooms the speakers were cloaked in cloth wrappers. The Aida’s statuesque 68 inch tall presence and imposing 363 pound weight left no doubt: this speaker is a no holds barred effort.

Sonus Faber importer John Hunter hosted the proceedings, and introduced Fine Sounds’ CEO Mauro Grange. Hunter then played a wide range of music over the Aidas, everything from solo acoustic guitar, funky jazz, large orchestral works, before turning up the heat with Yello’s thumpin’ beats.

The Aida uses an “Arrow Point” Damped Apex Dome tweeter, a proprietary cellulose pulp/kapok/kenaf and other natural fibers midrange driver, high-tech syntactic foam core and cellulose pulp sandwich woofers, and a nanocarbon/honeycomb infra woofer. The cabinet is an elaborate “Lyra-shape,” multi-chambered design, outfitted with numerous resonance control measures. The drop-dead gorgeous finish, even by Sonus Faber standards, was simply stunning. Aida was being played with Audio Research electronics, including a Reference 5 preamp, Ref CD8 CD player, and the speakers were biamped with Reference 250 and DS450 amps.

I wasn’t in the sweet spot for most of the auditions, but the sound was big, bold and juicy. I was in the ideal position for Yello, and the Aidas not only threw a massive soundstage, the out-of-phase elements of the mix were projected well out in front of the speakers. The effect was as close to surround sound as I’ve heard from a pair of speakers.

The Aida will retail for $120,000 per pair.

— Steve Guttenberg

The Unison Research Giro: Simple, Pretty, Different

It goes without saying that stepping up to the $4,000-$5,000 range in turntables provides a significant boost in performance over $1,000-$2,000 turntables. An increase in resolution, accompanied by a bigger, more dynamic presentation—and the ability to extract more musical information from higher-performance cartridges—are the most obvious benefits. The aesthetically pleasing Unison Audio Giro offers all this and more.

Close inspection reveals similar styling cues to current Clearaudio designs—and for good reason. The Giro is built at the Clearaudio factory. However, it is not merely a rebadge of an existing model. Giovanni Sacchetti, founder and designer at Unison Research, had for years been working on a turntable design. Yet tool-up costs to make a single ‘table remained prohibitive. Approaching Clearaudio proved fruitful. The latter produced the Giro for Unison and maintained the integrity of Sacchetti’s design.

The biggest difference between Clearaudio and the Unison model resides with the latter’s main bearing, which utilizes an inverted steel shaft (coupled with a ceramic sphere) rather than Clearaudio’s anti-magnetic type. The isolation feet are also more complex than the standard Clearaudio designs, and there’s also the presence of wooden sections, oriented via grain pattern to control resonance on the acrylic plinth.

The $3,995 Giro can be ordered with its UN1 MM cartridge for an additional $550. While this is a great way to start, the Giro provides a platform capable of working with more resolving cartridges. Hence, it’s a ‘table you can enjoy for years. You will be able to make significant cartridge upgrades before the Giro becomes the limiting factor in your analog front-end. For many listeners, it will be the last turntable they need.

Assembly by the Numbers

An enclosed instruction manual proves a tremendous help with turntable setup, yet it omits one critical step—adjustment of anti-skate. The Clearaudio Universal tonearm shares the same anti-skate mechanism, modulated by an adjuster that decreases the amount of anti-skate force applied by moving it in towards the turntable pivot. You can download the Universal instruction manual here:

The motor electrically plugs into the plinth via a connector that looks like an RJ-45 Ethernet plug. And it’s encased in a separate pod, eliminating vibration caused from being directly attached to the plinth. Everything is hidden by an attractive magnetic cover that enhances the unit’s sleek design.

Aesthetically and sonically, the wood-bodied Sumiko Pearwood II ($2,499) MC cartridge proves an excellent match for the Giro. A second Pearwood II made it easy for me to compare the Giro to two slightly pricier competitors: the AVID Diva II SP with SME 309 arm (about $6,000) and the Rega P9 with RB 1000 arm ($4,995). The fixed tonearm cable on the P9 and Giro was the only minor difference preventing a 100% direct comparison between the three models.

Meanwhile, the Feickert Analog suite of alignment tools kept this trio of turntables perfectly matched to each other. (It’s also worth noting that speed accuracy of the Giro was spot on out of the box, and that changing speed between 33 1/3 and 45RPM was easily changed from a control on the plinth.)


The Giro’s very lively presentation jumps right out between the speakers and will never be mistaken for anything but pure analog -it is devilishly quiet, with a silkiness that makes the music feel as if it simply rises up between the speakers. The Giro zips through musical details with a level of finesse that far outstrips anthing in the $900-$1,500 range. There’s more of everything: more weight on the bottom, and a combination of smoothness and resolution on top. This solid performer is worth the asking price. Listeners graduating from lesser ‘tables will experience a fair share of “it feels like I have a new record collection” moments.

“Master Sigh,” from Andrew Bird’s Useless Creatures, immediately showcases the Giro’s prowess for revealing inner detail. Bird’s harp floats in the air with great attack as he plucks his violin, fading out with the right amount of gentleness in the decay. Similarly, Lol Creme and Kevin Godley’s Consequences avant-garde exercise features layers of buried details that are disappointingly rendered on a lesser deck. But here, the multiple vocal overdubs on “Lulu From Honolulu” scattered between the speakers, with even the most infinitesimal sound effects preserved. The duo’s “The Flood” depicts someone running water and brushing their teeth. While an odd choice for a hi-fi demo, the track’s timbre and spatial information are perfectly captured. It seems as if a person is directly located behind the speakers, brushing their teeth and sloshing mouthwash!

A Music Lovers Turntable

Sound effects are great fun, but rest assured, the Giro does a fantastic job with every kind of music thanks to its natural tonality. Herbie Hancock’s piano on the Blow-Up soundtrack is exquisitely depicted, never lost behind Freddie Hubbard’s trumpet or in the way of Ron Carter’s anchoring bass. The title track on Shelby Lynne’s Just a Little Lovin’ reveals the difference between the Giro and the other two on-hand ‘tables. The Giro lends a bit of extra tonal warmth, where the P9 is slightly more neutral, though lacking the AVID’s additional weight and drama. These are not huge differences by any stretch. Think of the Giro as having more of a classic vacuum-tube-like sound; make your system choices accordingly.

Swapping the Sumiko cartridge (also on the slightly warm side of the tonal spectrum) for the SoundSmith Sussurro Paua (which has a faster, somewhat forward tonal balance) instilled a completely different feel to the overall sound—proof of the tonearm’s ability to resolve fine detail. A series of heavy tracks from Megadeth, Slayer, and Audioslave confirms the Giro can play loud rock music with composure and sans acoustic feedback—important when you crave high decibels. My favorite hip-hop 45s can’t even rattle its composure. Rest assured this Italian stunner is not finicky.

Sitting on the rack between the Rega P9 and the Linn LP-12, the Giro possesses warmth of character. Combining German precision with Italian style is brilliant, and while it doesn’t necessarily make the Giro a better record player, the ‘table’s cool factor will tug the heartstrings of those that demand mechanical performance and style points.

The Unison Research Giro

MSRP: $3,995 (without cartridge) UN1 MM cartridge, $550 (factory) (US Importer)


Preamplifier: ARC REF 5

Phono Preamp: Vitus Audio MP-P201

Cartridges: Sumiko Pearwood II Celebration, SoundSmith Sussurro Paua

Power Amp: ARC REF 150

Speakers: GamuT S9

Cable: Cardas Clear

Accessories: RSA Dmitri and Maxim power line conditioners, Furutech DeMag